Thursday, 28 November 2013

Gravity, The Earth Child, and Exhausting the Planet

Gravity (2013) was recently released to outstanding reviews after its premier at the Venice Film Festival. Directed by Alfonso Cuaron, the film tells the story of survival during a catastrophic disaster in space, however themes of rebirth are also explicitly clear. Gravity however, is also a warning of the excessive use and destruction of materials on planet Earth. By relocating into space, Cuaron has developed a story that perfectly demonstrates the seemingly inevitable self-destruction of mankind through use of vital fossil fuels and a lack of care of Earth.

Very early into our introduction to the character of Ryan Stone (Sandra Bullock), we are shown her devotion to her work. She seems unimpressed by the views of Earth, despite Matthew Kowalski (George Clooney) encouraging her to relax and enjoy them. Things quickly change however, as new filters through of the domino effect from the self-destruction of a Russian satellite that has gone terribly wrong. Stone finds her life in threat due to a lack of consideration for the outcomes of a seemingly meaningless piece of destruction. Ryan Stone can be seen as a twin representation, one of Mankind, and the other of Nature. Within Stone, these things should be intertwined rather than conflicting ideologies, however she has slowly moved away from these ideas due to her loss of focus on the beauty of nature. However the fact remains that they are still inside her, the decision to name her Stone is a simple tool to signify her link with Earth, naming her after a core material to Earth. What the self-destruction of the satellite does to Stone, is place her in immediate danger and starts the process of her re-evaluating what’s important. She is suddenly sent spinning out into space, and on the verge of death, or, the threat of extinction, due to the space junk (an analogy to waste and rubbish on Earth and its danger to nature). This act of self-destruction, committed by humans, changes Stone and begins a re-birthing process that makes her question the very nature of her life, and therefore, of mankind.

The most explicit sign of the start of re-birthing is shown when Stone curls up into a foetal position within the Space Station, slowly floating as the scale of everything starts to dawn on her. These capsules and space stations throughout Gravity become to signify the only place where we can exist outside of Earth. They become wombs for Stone, where there is a constant source of oxygen to breath. If we take Stone to be representative of mankind, we can see parallels to that of 2001: A Space Odyssey (1969), in a similar way that the Star Child represents the next state of human evolution and a higher understanding of its surroundings. However instead of expanding our horizons, Cuaron has mankind returning to Earth and becoming closer to nature. Stone struggles to come to terms with this during her re-birthing process, especially in relation to the hollow death of her young child. She has seen the violence of nature, and the randomness of its violence, so how can she become part of nature again? This random violence and destruction however is compared to the same violence that mankind inflicts upon itself, that nearly killed Stone as well. Stone begins the process of understanding that by living with nature, rather than against it, there is hope.

Stone eventually finds her way onto the Soyuz. She however soon discovers that there is no fuel left to power it. Stone has literally run out of fuel to power her home, or if we return to the Mankind analogy, we have run out of fossil fuels. The excessive use and exploitation of Earth has taken Stone to the point where there is seemingly no return, and again Stone is able to see how Mankind has been more than happy to exploit Earth for its own needs. She is left, stuck, floating in Space with little hope for survival. Just as her Oxygen, the most vital resource of all, is about to run out, Stone has a vision of a returning Kowalski who refocuses her. This can be viewed as a vision from a higher being, a message to give Stone hope. Kowalski is able to guide her to safety, just like many visions have guided people in the stories of the Bible. With this new determination, and the vision of Kowalski, Stone is able to crash land her pod into a small lake on Earth.


Stone is in the final process of her rebirth, her capsule crashing into a small lake. As she leaves the safety of the vessel, or the womb, she has to crawl out of the water just like the very first creatures to leave the water for land millions of years ago. As she feels the muddy Earth in her hands for the first time in what seems forever, she is able to fully appreciate all of the beauty of Earth, and its importance to human survival. Stone, or Mankind, is finally intertwined again with nature. The re-birthing process has been completed. Stone has seen the dangers of waste, the violent nature of mankind that threatens each other, the inevitable problems of exhausting fossil fuels. She has returned metaphorical to the womb in order to survive and relearn what it means to be human. She has evolved, not as the Star Child, but as the Earth Child.

DANNY MOLTRASI

No comments:

Post a Comment